Well, it’s a sad day here at MMP HQ.
Hello, I’m Scott R. Jones. Normally I’d be writing this from the MMP-standard royal “we” (see pretty much every post for the past several years) but the time for full ownership has come. I’m shuttering the press for the foreseeable future. This is due to multiple factors that have, over the past year and a bit, contributed to the increasingly poor functioning of the press and the failure to live up to the admittedly meager ideals it was founded on. It’s painful to write this post, but necessary, and, seeing as I’ve essentially already written it (in a letter to the authors slated to appear in the two upcoming but now sadly cancelled MMP anthologies) I am going to attempt to save myself some further pain and so post portions of that letter below.
Good afternoon, everyone. Hope your weekend is going well so far. Unfortunately, I’m writing to relay a piece of bad news that a number of you have likely expected was coming, considering the delays in production on the upcoming MMP books you have pieces attached to.
It’s with considerable regret that I have to cancel both books and put the press on hiatus for the foreseeable future. This past year has been a bad one for me on a number of levels: personal, financial, and health concerns both physical and mental have combined to basically destroy my ability to do right by the press and the writers I work with. When I started MMP five years or so ago, one of my earliest intentions was to provide a level of basic courtesy and professionalism to the people I chose to work with. Given the “boutique”, one-man nature of the operation, this (for me) meant four things: writers and artists would be paid on time for their work, the books would drop in a timely manner, communication would be timely and transparent, and promotion for the titles would be the best possible given the resources available.
2019 has seen MMP fail on all four counts. Without going too much into the unpleasant details, I have run out of money, credit, time, and the increasingly important mental resources required to operate MMP in even the most bare-bones manner. As some of you have no doubt already noted, contracts as written and signed off on have not been honoured, payments have not been forthcoming, and communication on these matters has been slight and shamefully deferral in nature. Honestly, I had hoped that at least the financial aspect of this would turn around and allow me to move ahead with both Innsmouthbreathers and Monstrous Outlines, however haltingly, but that has not been the case despite a series of best efforts. Again, at MMPs inception, my intention was to not allow the press and its operation to impact my family’s already thin financial resources: with the increase of the usual costs of living, and the arrival of new and unexpected expenses, this has become impossible to do, and so the MMP project has to be sacrificed.
I’d also like to address here another aspect of the problem that I have little doubt will come up. Those of you who are attached to me via social media have likely noted that my personal writing career has seen some significant uptick in the past several months: I was approached about, and eventually sold, a collection of my short stories to another publisher, and my debut novel Stonefish which I’d been working on since mid-2018 has been purchased and is slated for release early in 2020. I recognize and regret the hypocrisy of this. Focusing on my own work had taken a back seat for so long, and the surge in attention and ability I experienced with the writing of the novel overtook me, to the detriment of MMP and, sadly, your own work as represented in MMP books. I have not been balanced in my approach to the work, and the cost has been high. I want to own this and apologize for any harm I’ve brought to you personally and your careers professionally. I should have done better, and I did not.
For all the above, I am deeply sorry. Thank you for submitting your amazing work to MMP, for your patience, and your understanding. All rights to your stories as contracted I now return to you fully in the hope that we may dissolve said contracts and separate peacefully and on good terms. I wish I could do more than just this, as it feels meager indeed, and you all deserved better. Looking forward, on the outside chance that I am at some point in the future able to reinvigorate MMP and restore it according to the framework of my original intentions for the press, I hope that you will consider becoming involved again with either the books being cancelled presently (should they be revived) or new and different ones.
I followed this with an assurance that I would keep my channels open to talk, as I want to foster open and clear communication with the writers I worked with regarding the decisions made. So far the response from writers affected has been gracious, understanding, and sympathetic, which is more than I deserve.
Martian Migraine Press has been in operation since, oh, let’s call it early 2014. Five years and change is not too bad in this wild west of a business, I’m told. I am grateful (as an editor, a publisher, a writer, and a human being, basically) for the experience. Working with established authors and brand spanking new writers of considerable talent and energy, collaborating with and learning from other editors in the field, soliciting gorgeous covers from unique artists and illustrators, and then hearing from readers both online and in person how much the MMP books were enjoyed has been wonderful and heartening. Most of the time, it seemed to me that I didn’t know what I was doing here, other than creating reading experiences I myself enjoyed, but that seems to have struck a chord within the horror and weird fiction communities, and for that I am supremely grateful.
All MMP titles in both TPB and electronic formats will continue to be made available here and from most major retailers.
Thank you, all, for your support and dedication to MMP. Comments will be left open below for questions or concerns.
Scott R. Jones
Martian Migraine Press is now open to submissions for our 2019 anthology project…
“Their hand is at your throats, yet ye see Them not;
and Their habitation is even one with your guarded threshold.”
— H. P. Lovecraft, The Dunwich Horror
Monstrous Outlines will be an anthology of horror and weird fiction with a focus on the theme of camouflage: people, entities, monsters, gods, even concepts, that masquerade as things other than themselves. Predators in plain sight, deities on their down time, sublime extra-dimensional terrors slumming in 4D. We want to see stories of exceptionally well done camouflage, all the more baffling and frightening for its seamless nature. We want to see stories of seeming where the hidden thing is poorly hidden for a number of reasons: perhaps there are layers to its camouflage, or perhaps it doesn’t care how well it hides. Imagine the moment when the perfectly hidden thing reveals itself. When the poorly hidden thing reveals itself. We’re also interested in duplicates, doppelgangers, and shapeshifters. Think John W. Campbell’s Who Goes There? and its cinematic offspring, The Thing, for the latter. The seed story for this anthology will be Algernon Blackwood’s classic tale, The Willows, a story of two worlds touching, of men meeting the unnameable through the medium of the nearest natural analogue, the titular willow trees.
Submission period closes 31 NOVEMBER 2018. The anthology will be released in trade paperback and electronic book formats in early March 2019.
SUBMISSIONS GUIDELINES may be found here
There are folks for whom the question of whether Cthulhu has two eyes or six is a vitally important one. Individuals that believe, somehow, that a dinner of tinned spaghetti and ice cream with a reanimated H. P. Lovecraft would be the height of both culinary and intellectual pleasure. Scholars who feel that The Horror at Red Hook is a timely warning about, well, you know… those other people. Esteemed biographers of weird fiction luminaries who reveal their foaming insecurity at the changing of the guard, or the form of a literary award. Entities who dissolve with glee at the slapping of some tentacles on a meme, thus rendering it “Lovecraftian”.
Yes, they’re out there, in their seeming thousands, trolling social media, fawning over the dead, podcasting their paranoia. Yes, they are slouching roughly towards Arkham and Providence and fabled Y’ha-nthlei, to dwell in fossilized canon and geeky glory, forever.
Martian Migraine Press announces an open call for submissions to our latest anthology project, INNSMOUTHBREATHERS: Cautionary Fables of Mythos Fandom! We are looking for humourous stories of a certain kind of Cthulhu Mythos fan: the rabid Lovecraft worshipper, the defender of the outmoded and outclassed, the pulp reader for whom Weird Fiction peaked somewhere in the middle of the last century. (The 20th, for those keeping track of such things!) We’re looking for tales that pit Innsmouthbreathers against all manner of real and imagined horrors: shoggoths with Social Justice agendas, politically active Deep Ones, enlightened Mi-Go, and Nick Mamatas*. Make them lovable, make them loathsome, make us feel their triumphs and defeats! Put us in their basements, their garrets, their comic shops and conventions and pop-culture covens, and put us in their Cthulhu parody t-shirts while you’re at it. Mmm, is that a cotton/poly blend? Only in black, you say? SOLD.
INNSMOUTHBREATHERS will be a mostly funny book. We’re going for light-hearted ribbing here, a send-up, a roast. Stories that are outright mean and nasty won’t play well within these pages. Remember, let they who have not geeked out over Lovecraft, even a little, even once, throw the first Shining Trapezohedron into the bay! And sure, we’re asking for yuks, but please don’t feel you need to dial back the weird horror. Mix it up, thrill us, chill us, make us laugh at ourselves.
Submission period closes 31 JULY 2018. The anthology will be released in early October 2018. Details at our SUBMISSIONS PAGE.